Sculpture Options for Site-Specific Proposals

  • Click on the main picture for each sculpture and use the arrows to view the rest of the set. Pictures and notes provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos.

  • In addition to descriptive details about the work, where possible, we have included artist websites addresses and an embedded link to more information on the specific sculpture.

  • You may have gentle physical contact with nearly all of the sculptures. If you have questions about how much you can engage, please ask. 

  • Admission fee to the park is always waived for your rehearsal times there. Artists are expected to hold several rehearsals on site.

  • Please contact us with any questions or concerns - contact@theoutletdanceproject.com or call donia  - 917.913.7294

***The following images are for the sole purpose of providing prospective Outlet Dance Project choreographers with visual references of the sculptures they may apply to create work in conversation with for the event taking place at Grounds For Sculpture on October 5, 2019. Any use of the images outside of that realm are strictly prohibited.***

all photos on this page by donia salem

Indoor Options

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

oof by James Carl

oof by James Carl

East Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery.

Synthetic Cells by Michael Rees

Synthetic Cells by Michael Rees

West Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org

Synthetic Cells by Michael Rees

Synthetic Cells by Michael Rees

West Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org

Synthetic Cells by Michael Rees

Synthetic Cells by Michael Rees

West Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org

Synthetic Cells by Michael Rees

Synthetic Cells by Michael Rees

West Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org

Synthetic Cells by Michael Rees

Synthetic Cells by Michael Rees

West Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org

Outdoor Options

Folded Circle Ring: Fletcher Benton

Folded Circle Ring: Fletcher Benton

Surrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map.

Folded Circle Ring: Fletcher Benton

Folded Circle Ring: Fletcher Benton

Surrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map.

Folded Circle Ring: Fletcher Benton

Folded Circle Ring: Fletcher Benton

Surrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map.

Folded Circle Ring 2 Fletcher Benton

Folded Circle Ring 2 Fletcher Benton

Surrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map.

General Bronze by Marisol Escobar

General Bronze by Marisol Escobar

On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map

General Bronze by Marisol Escobar

General Bronze by Marisol Escobar

pc: Sheena 2.0 On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map

General Bronze by Marisol Escobar

General Bronze by Marisol Escobar

On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map

General Bronze by Marisol Escobar

General Bronze by Marisol Escobar

On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map

General Bronze by Marisol Escobar

General Bronze by Marisol Escobar

pc: hannerola On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map

General Bronze by Marisol Escobar

General Bronze by Marisol Escobar

On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map

Tempio Bretton by Walter Dusenbery

Tempio Bretton by Walter Dusenbery

On a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. large expanses of grass on both sides. http://www.walterdusenbery.com/

Tempio Bretton by Walter Dusenbery

Tempio Bretton by Walter Dusenbery

On a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. large expanses of grass on both sides. http://www.walterdusenbery.com/

Tempio Bretton by Walter Dusenbery

Tempio Bretton by Walter Dusenbery

On a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. large expanses of grass on both sides. http://www.walterdusenbery.com/

Tempio Bretton by Walter Dusenbery

Tempio Bretton by Walter Dusenbery

On a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. This pic is from before grass was put on but here to show incline. large expanses of grass on both sides. http://www.walterdusenbery.com/

Confrontational Vulnerability

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

Confrontational Vulnerability

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

View fr. Confrontation Vulnerability

View fr. Confrontation Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

Confrontational Vulnerability

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

Confrontational Vulnerability

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

Confrontational Vulnerability

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

Confrontational Vulnerability

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

Confrontational Vulnerability

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map

Has Anyone Seen Larry?

Has Anyone Seen Larry?

by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map

Has Anyone Seen Larry?

Has Anyone Seen Larry?

by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map

Has Anyone Seen Larry?

Has Anyone Seen Larry?

by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map

Has Anyone Seen Larry?

Has Anyone Seen Larry?

by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map

Has Anyone Seen Larry?

Has Anyone Seen Larry?

by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map

Has Anyone Seen Larry?

Has Anyone Seen Larry?

by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map

Has Anyone Seen Larry?

Has Anyone Seen Larry?

by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map

God Bless America by Seward Johnson

God Bless America by Seward Johnson

Small corn plot (to the right in the photo) will be full grow by October. Seward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com #708 on map

God Bless America by Seward Johnson

God Bless America by Seward Johnson

Seward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com. #708 on map

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Amorpheous, Kraken 2 & 3 by M.Mennin

Amorpheous, Kraken 2 & 3 by M.Mennin

Three sculptures surrounded by grass. www.markmennin.com #748-750 on map.

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map.

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Unlimited Life by Kang Muxiang

Unlimited Life by Kang Muxiang

Made with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412

Skyhook by John Newman

Skyhook by John Newman

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Skyhook by John Newman

Skyhook by John Newman

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Skyhook by John Newman

Skyhook by John Newman

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Skyhook by John Newman

Skyhook by John Newman

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Skyhook by John Newman 2

Skyhook by John Newman 2

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Skyhook by John Newman 4

Skyhook by John Newman 4

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Skyhook by John Newman 5

Skyhook by John Newman 5

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Skyhook by John Newman 6

Skyhook by John Newman 6

The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map.

Beast by Karen Petersen

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Beast by Karen Petersen

Beast by Karen Petersen

Mid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map.

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map.

Schatz's Spaceship by E.C. Powell

Schatz's Spaceship by E.C. Powell

Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map

Schatz's Spaceship by E.C. Powell

Schatz's Spaceship by E.C. Powell

Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map

Schatz's Spaceship by E.C. Powell

Schatz's Spaceship by E.C. Powell

Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map

Schatz's Spaceship by E.C. Powell

Schatz's Spaceship by E.C. Powell

Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map

Schatz's Spaceship by E.C. Powell

Schatz's Spaceship by E.C. Powell

Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map

Schatz's Spaceship by E.C. Powell

Schatz's Spaceship by E.C. Powell

Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map

Schatz's Spaceship by E.C. Powell

Schatz's Spaceship by E.C. Powell

Very large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Ghraib Bag by Michael Rees

Ghraib Bag by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map.

Harmonize by Barton Rubenstein

Harmonize by Barton Rubenstein

16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map.

Harmonize by Barton Rubenstein

Harmonize by Barton Rubenstein

16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map.

Harmonize by Barton Rubenstein

Harmonize by Barton Rubenstein

16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map.

Harmonize by Barton Rubenstein

Harmonize by Barton Rubenstein

16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map.

Harmonize by Barton Rubenstein

Harmonize by Barton Rubenstein

16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map.

Harmonize by Barton Rubenstein

Harmonize by Barton Rubenstein

16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map.

Harmonize by Barton Rubenstein

Harmonize by Barton Rubenstein

16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map.

Forth by Mary Schaffer

Forth by Mary Schaffer

On a slight hill. Surrounded by grass.  Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com #200 on map.

Forth by Mary Schaffer

Forth by Mary Schaffer

On a slight hill. Surrounded by grass.  Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com #200 on map.

Forth by Mary Schaffer

Forth by Mary Schaffer

On a slight hill. Surrounded by grass.  Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map.

Fluxus by Christoph Spath

Fluxus by Christoph Spath

Large rock with LED light installed in fissure. More details about area around sculpture coming soon. Vermont verde antique serpentine; other: plate glass, LED lights 7 ft x 7 ft x 4 ft Technique/Process: machine cut and carved, polished Courtesy: Gift of The Seward Johnson Atelier, Inc. http://www.spath.org/

Fluxus by Christoph Spath

Fluxus by Christoph Spath

Large rock with LED light installed in fissure. More details about area around sculpture coming soon. Vermont verde antique serpentine; other: plate glass, LED lights 7 ft x 7 ft x 4 ft Technique/Process: machine cut and carved, polished Courtesy: Gift of The Seward Johnson Atelier, Inc. http://www.spath.org/

Fluxus by Christoph Spath

Fluxus by Christoph Spath

Large rock with LED light installed in fissure. More details about area around sculpture coming soon. Vermont verde antique serpentine; other: plate glass, LED lights 7 ft x 7 ft x 4 ft Technique/Process: machine cut and carved, polished Courtesy: Gift of The Seward Johnson Atelier, Inc. http://www.spath.org/

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Standing Vase W/Five Flowers - Surls

Standing Vase W/Five Flowers - Surls

On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map.

Standing Vase W/Five Flowers - Surls

Standing Vase W/Five Flowers - Surls

On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map.

Standing Vase W/Five Flowers - Surls

Standing Vase W/Five Flowers - Surls

On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map.

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Sculpture near Nature's Laugh

Sculpture near Nature's Laugh

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map

Teatro XI by Herk Van Tongeren

Teatro XI by Herk Van Tongeren

Surrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #335 on map.

Teatro XI by Herk Van Tongeren

Teatro XI by Herk Van Tongeren

Surrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #335 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Three Indeterminate Lines by B.Venet

Three Indeterminate Lines by B.Venet

Surrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map.

Resting Place by Roy Wilson

Resting Place by Roy Wilson

Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map.

Resting Place by Roy Wilson 2

Resting Place by Roy Wilson 2

Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map.

Resting Place by Roy Wilson 3

Resting Place by Roy Wilson 3

Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map.

Resting Place by Roy Wilson 4

Resting Place by Roy Wilson 4

Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map.

Hawthorn Tree II by Isaac Witkin

Hawthorn Tree II by Isaac Witkin

Large work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc.

Hawthorn Tree II by Isaac Witkin

Hawthorn Tree II by Isaac Witkin

Large work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc.

Hawthorn Tree II by Isaac Witkin

Hawthorn Tree II by Isaac Witkin

Large work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc.

Hawthorn Tree II by Isaac Witkin

Hawthorn Tree II by Isaac Witkin

Large work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc.

Hawthorn Tree II by Isaac Witkin

Hawthorn Tree II by Isaac Witkin

Large work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc.

Hawthorn Tree II by Isaac Witkin

Hawthorn Tree II by Isaac Witkin

Large work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc.

Eolith by Isaac Witkin

Eolith by Isaac Witkin

This tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc.

Eolith by Isaac Witkin

Eolith by Isaac Witkin

This tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc.

Eolith by Isaac Witkin

Eolith by Isaac Witkin

This tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc.

Eolith by Isaac Witkin

Eolith by Isaac Witkin

This tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc.

Eolith by Isaac Witkin

Eolith by Isaac Witkin

This tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc.

© The Outlet Dance Project

contact@theoutletdanceproject.com

webmaster: donia salem harhoor

  • facebook
  • Instagram Social Icon
  • Twitter Classic