top of page
Sculpture Options for Site-Specific Proposals
-
Click on the main picture for each sculpture and use the arrows to view the rest of the set. Pictures and notes provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos.
-
In addition to descriptive details about the work, where possible, we have included artist websites addresses and an embedded link to more information on the specific sculpture.
-
You may have gentle physical contact with nearly all of the sculptures. If you have questions about how much you can engage, please ask.
-
Admission fee to the park is always waived for your rehearsal times there. Artists are expected to hold several rehearsals on site.
-
Please contact us with any questions or concerns - contact@theoutletdanceproject.com or call donia - 917.913.7294
***The following images are for the sole purpose of providing prospective Outlet Dance Project choreographers with visual references of the sculptures they may apply to create work in conversation with for the event taking place at Grounds For Sculpture on October 5, 2019. Any use of the images outside of that realm are strictly prohibited.***
all photos on this page by donia salem
Indoor Options
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
|---|
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
 Synthetic Cells by Michael ReesWest Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org |
|---|
 Synthetic Cells by Michael ReesWest Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org |
 Synthetic Cells by Michael ReesWest Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org |
 Synthetic Cells by Michael ReesWest Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org |
 Synthetic Cells by Michael ReesWest Gallery Installation. The large inflatable figures will be raised off of the ground for the festival, hanging from different heights. for many more pictures. Please follow the link and look at the artist's website below. http://michaelrees.org |
Outdoor Options
 Folded Circle Ring: Fletcher BentonSurrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
|---|
 Folded Circle Ring: Fletcher BentonSurrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
 Folded Circle Ring: Fletcher BentonSurrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
 Folded Circle Ring 2 Fletcher BentonSurrounded by grass. Pavement not too far away on one side. Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map |
|---|
 General Bronze by Marisol Escobarpc: Sheena 2.0 On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map |
 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map |
 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map |
 General Bronze by Marisol Escobarpc: hannerola On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map |
 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure. Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc. https://kinfolk.com/marisol-escobar/ #318 on map |
 Tempio Bretton by Walter DusenberyOn a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. large expanses of grass on both sides. http://www.walterdusenbery.com/ |
|---|
 Tempio Bretton by Walter DusenberyOn a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. large expanses of grass on both sides. http://www.walterdusenbery.com/ |
 Tempio Bretton by Walter DusenberyOn a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. large expanses of grass on both sides. http://www.walterdusenbery.com/ |
 Tempio Bretton by Walter DusenberyOn a fairly steep hill. Audience will only be able to see one side or the other, but audience could be situated on both sides for interesting perspectives. fairly narrow width to the hill. This pic is from before grass was put on but here to show incline. large expanses of grass on both sides. http://www.walterdusenbery.com/ |
 Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
|---|
 Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
 View fr. Confrontation Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
 Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
 Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
 Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
 Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
 Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
 Has Anyone Seen Larry?by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map |
|---|
 Has Anyone Seen Larry?by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map |
 Has Anyone Seen Larry?by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map |
 Has Anyone Seen Larry?by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map |
 Has Anyone Seen Larry?by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map |
 Has Anyone Seen Larry?by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map |
 Has Anyone Seen Larry?by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference). This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900). Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum, Collection of The Seward Johnson Atelier, Inc. https://sewardjohnsonatelier.org/ #307 on map |
 God Bless America by Seward JohnsonSmall corn plot (to the right in the photo) will be full grow by October. Seward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com #708 on map |
|---|
 God Bless America by Seward JohnsonSeward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com. #708 on map |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
|---|
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
|---|
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass. www.markmennin.com #748-750 on map. |
 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
|---|
 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
|---|
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
 Unlimited Life by Kang MuxiangMade with copper elevator cables. Small base around sculpture and then grass surrounding that. https://nspp.mofa.gov.tw/nsppe/news.php?post=137990&unit=412 |
 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
|---|
 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
 Skyhook by John Newman 2The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
 Skyhook by John Newman 4The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
 Skyhook by John Newman 5The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
 Skyhook by John Newman 6The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map. |
|---|
 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map. |
 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map. |
 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map. |
 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map. |
 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map. |
 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist. www.petersensculpture.com #540 on map. |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
|---|
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
|---|
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map |
|---|
 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map |
 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map |
 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map |
 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map |
 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map |
 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides. E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc. http://www.ecalderpowel.com/ #103 on map |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
|---|
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
|---|
 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
 Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com #200 on map. |
|---|
 Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com #200 on map. |
 Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com |
 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
|---|
 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
 Fluxus by Christoph SpathLarge rock with LED light installed in fissure. More details about area around sculpture coming soon. Vermont verde antique serpentine; other: plate glass, LED lights 7 ft x 7 ft x 4 ft Technique/Process: machine cut and carved, polished Courtesy: Gift of The Seward Johnson Atelier, Inc. http://www.spath.org/ |
|---|
 Fluxus by Christoph SpathLarge rock with LED light installed in fissure. More details about area around sculpture coming soon. Vermont verde antique serpentine; other: plate glass, LED lights 7 ft x 7 ft x 4 ft Technique/Process: machine cut and carved, polished Courtesy: Gift of The Seward Johnson Atelier, Inc. http://www.spath.org/ |
 Fluxus by Christoph SpathLarge rock with LED light installed in fissure. More details about area around sculpture coming soon. Vermont verde antique serpentine; other: plate glass, LED lights 7 ft x 7 ft x 4 ft Technique/Process: machine cut and carved, polished Courtesy: Gift of The Seward Johnson Atelier, Inc. http://www.spath.org/ |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
|---|
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map. |
|---|
 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map. |
 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map. |
 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
|---|
 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Sculpture near Nature's LaughOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
 Teatro XI by Herk Van TongerenSurrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #335 on map. |
|---|
 Teatro XI by Herk Van TongerenSurrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #335 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
|---|
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
 Resting Place by Roy WilsonSurrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
|---|
 Resting Place by Roy Wilson 2Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
 Resting Place by Roy Wilson 3Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
 Resting Place by Roy Wilson 4Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
 Hawthorn Tree II by Isaac WitkinLarge work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. |
|---|
 Hawthorn Tree II by Isaac WitkinLarge work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. |
 Hawthorn Tree II by Isaac WitkinLarge work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. |
 Hawthorn Tree II by Isaac WitkinLarge work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. |
 Hawthorn Tree II by Isaac WitkinLarge work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. |
 Hawthorn Tree II by Isaac WitkinLarge work mounted on table in front of enormous evergreen shrubbery. Gravel underneath the table and expanse of grass in front of that. metal: bronze 91 in x 86 in x 57 in Technique/Process: sand cast Courtesy: Gift of The Seward Johnson Atelier, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
|---|
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
bottom of page