Sculpture Options for Site-Specific Proposals
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We strongly encourage you to go to Grounds For Sculpture to experience these works in person. Pictures do not do them justice. The sculpture's map number is listed so the work can be found easily in person. Please, please reach out to us when you make the trip out...we can be of great help, beforehand and during.
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Click on the main picture for each sculpture and use the arrows to view the rest of the set. Pictures and notes provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos. One of the sculptures options does not have photo gallery on our website at this time. Instead, links to photos are included. It is an incredible sculpture, be sure to check them out.
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In addition to descriptive details about the work, where possible, we have included artist websites addresses and an embedded link to more information on the specific sculpture.
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You may have gentle physical contact with nearly all of the sculptures. If you have questions about how much you can engage, please ask.
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Admission fee to the park is waived for your rehearsal times there. Selected site-specific artists are expected to hold several rehearsals on site.
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Please contact us with any questions or concerns - contact@theoutletdanceproject.com.
***The following images are for the sole purpose of providing prospective Outlet Dance Project choreographers with visual references of the sculptures they may apply to create work in conversation with for the event taking place at Grounds For Sculpture on October 7, 2018. Any use of the images outside of that realm are strictly prohibited.***
all photos on this page by donia salem
Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
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Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
View fr. Confrontation Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
Confrontational Vulnerabilityby Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand. Seward Johnson, Confrontational Vulnerability. https://sewardjohnsonatelier.org/ #125 on map |
Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com #200 on map. |
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Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com #200 on map. |
Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
oof by James CarlEast Gallery Installation. James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |