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Sculpture Options for Site-Specific Proposals
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We strongly encourage you to go to Grounds For Sculpture to experience these works in person. Pictures do not do them justice. Please, please reach out to us when you make the trip out...we can be of great help, beforehand and during.
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Click on the main picture for each sculpture and use the arrows to view the rest of the set. Pictures and notes provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos. 2 of the sculptures options do not have photo galleries on our website at this time. Instead, links to photos are included. They are two incredible sculptures, be sure to check them out.
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In addition to descriptive details about the work, where possible, we have included artist websites addresses and an imbeded link to more information on the specific sculpture.
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You may have gentle physical contact with nearly all of the sculptures. If you have questions about how much you can engage, please ask.
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Admission fee to the park is waived for your rehearsal times there.
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Please contact us with any questions or concerns
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***The following images are for the sole purpose of providing prospective Outlet Dance Project choreographers with visual references of the sculptures they may apply to create work in conversation with for the event taking place at Grounds For Sculpture on October 30, 2016. Any use of the images outside of that realm are strictly prohibited.***
all photos on this page by donia salem
 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
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 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Mary by Brooke BarrieMulch and grass directly in front of sculpture. Modest stretch of area able to be utilized (not enormous stretch of grass). Brooke Barrie, Mary, 1984, bronze, 12 in x 72 in x 20 in. Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 First Love by Itzik BenshalomModerately sized area of grass in front of sculpture. Link below goes to a 2.5 minute video of the work from all angles. Itzik Benshalom, First Love, 2006, cast bronze, 204 x 60 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.itzik-benshalom.com |
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 First Love by Itzik BenshalomModerately sized area of grass in front of sculpture. Link below goes to a 2.5 minute video of the work from all angles. Itzik Benshalom, First Love, 2006, cast bronze, 204 x 60 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.itzik-benshalom.com |
 First Love by Itzik BenshalomModerately sized area of grass in front of sculpture. Link below goes to a 2.5 minute video of the work from all angles. Itzik Benshalom, First Love, 2006, cast bronze, 204 x 60 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.itzik-benshalom.com |
 Lintel by Emilie BrzezinskiOn hill with steep-ish decline on one side. Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com |
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 Lintel by Emilie Brzezinski 3On hill with steep-ish decline on one side. Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com |
 Lintel by Emilie BrzezinskiOn hill with steep-ish decline on one side. Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com |
 Seat of Sound by Cooke & GoodeThis sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
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 Seat of Sound by Cooke and Goode 2This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Seat of Sound by Cooke and Goode 3This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Seat of Sound & Allentown CouncilThis sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Pinched by William DonnanSurrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com |
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 Pinched by William DonnanSurrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com |
 Pinched by William DonnanSurrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com |
 Pinched by William DonnanSurrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com |
 Pinched by William DonnanSurrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com |
 Pinched by William DonnanSurrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com |
 Ex-halations by Linda FlemingOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com |
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 Ex-halations by Linda Fleming 2Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com |
 Ex-halations by Linda Fleming 3Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com |
 Ex-halations by Linda Fleming 4Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com |
 Ex-halations by Linda Fleming 5Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com |
 Enki by Harry GordonPatchy grass on one side. Line of birch trees along same side. Harry Gordon, Enki, 2001, granite, 108 x 124 x 82 inches, Courtesy of the Artist. www.gordonsculpture.com |
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 Enki by Harry GordonPatchy grass on one side. Line of birch trees along same side. Harry Gordon, Enki, 2001, granite, 108 x 124 x 82 inches, Courtesy of the Artist. www.gordonsculpture.com |
 Enki by Harry GordonPatchy grass on one side. Line of birch trees along same side. Harry Gordon, Enki, 2001, granite, 108 x 124 x 82 inches, Courtesy of the Artist. www.gordonsculpture.com |
 Matters of the Moment by Mike GyampoThe small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
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 Matters of the Moment by Mike GyampoThe small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Matters of the Moment by Mike GyampoThe small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Matters of the Moment by Mike GyampoThe small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Matters of the Moment by Mike GyampoThe small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
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 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
 The Gathering by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, The Gathering, 2003, bronze, courtesy of the artist. www.jonathanhertzel.co |
 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
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 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
 Smoking Root by Jonathon HertzelSculpture is on mulch, surrounded by dirt and thin grass. Flanked by row of maple trees. Jonathon Hertzel, Smoking Root, 2001, bronze, courtesy of the artist. www.jonathanhertzel.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
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 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Awakening by Seward JohnsonOnly live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 The Chamber of Internal DialogueAreas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
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 The Chamber of Internal DialogueAreas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 The Chamber of Internal DialogueAreas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 The Chamber of Internal DialogueAreas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 The Chamber of Internal DialogueAreas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 God Bless America by Seward JohnsonSmall corn plot (to the right in the photo) will be full grow by October. Seward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
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 God Bless America by Seward JohnsonSeward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com |
 Bones of the Forest by Robert LobeHung on brick on the side of the building. Near the entrance to the West Gallery. Concrete paver pathway in front of sculpture. Link to short film discussing the series that this sculpture is a part of below. Robert Lobe, Bones of the Earth, 2006, heat-treated hammered aluminum. Courtesy of the artist. www.robertlobe.com |
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 Bones of the Forest by Robert LobeHung on brick on the side of the building. Near the entrance to the West Gallery. Concrete paver pathway in front of sculpture. Link to short film discussing the series that this sculpture is a part of below. Robert Lobe, Bones of the Earth, 2006, heat-treated hammered aluminum. Courtesy of the artist. www.robertlobe.com |
 Bones of the Forest by Robert LobeHung on brick on the side of the building. Near the entrance to the West Gallery. Concrete paver pathway in front of sculpture. Link to short film discussing the series that this sculpture is a part of below. Robert Lobe, Bones of the Earth, 2006, heat-treated hammered aluminum. Courtesy of the artist. www.robertlobe.com |
 Bones of the Forest by Robert LobeHung on brick on the side of the building. Near the entrance to the West Gallery. Concrete paver pathway in front of sculpture. Link to short film discussing the series that this sculpture is a part of below. Robert Lobe, Bones of the Earth, 2006, heat-treated hammered aluminum. Courtesy of the artist. www.robertlobe.com |
 da Vinci's Knot by Robert LobeSurrounded by large grassy area. Robert Lobe, da Vinci's Knot, 2014, heat-treated hammered aluminum. Courtesy of the artist. |
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 da Vinci's Knot by Robert LobeSurrounded by large grassy area. Robert Lobe, da Vinci's Knot, 2014, heat-treated hammered aluminum. Courtesy of the artist. |
 da Vinci's Knot by Robert LobeSurrounded by large grassy area. Robert Lobe, da Vinci's Knot, 2014, heat-treated hammered aluminum. Courtesy of the artist. |
 da Vinci's Knot by Robert LobeSurrounded by large grassy area. Robert Lobe, da Vinci's Knot, 2014, heat-treated hammered aluminum. Courtesy of the artist. |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com |
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 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com |
 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com |
 Passage by Kevin LylesWood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com |
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 Passage by Kevin LylesWood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com |
 Passage by Kevin LylesWood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com |
 Passage by Kevin LylesWood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com |
 Passage by Kevin LylesWood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com |
 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com |
 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com |
 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com |
 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com |
 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com |
 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com |
 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com |
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 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com |
 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com |
 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com |
 Skyhook by John NewmanThe ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com |
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 Skyhook by John Newman 2The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com |
 Skyhook by John Newman 3The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com |
 Skyhook by John Newman 4The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com |
 Skyhook by John Newman 5The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com |
 Skyhook by John Newman 6The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
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 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 Split Ritual II by Beverly PepperOn a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net |
 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
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 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 High Spirit by Joel PerlmanOn small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 Southern Star by Joel PerlmanSculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
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 Southern Star by Joel PerlmanSculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 Southern Star by Joel PerlmanSculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 Southern Star by Joel PerlmanSculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 Southern Star by Joel PerlmanSculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com |
 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com |
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 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com |
 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com |
 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
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 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Converge: Graib by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com |
 Pumpkins by John RuppertThese five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com |
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 Pumpkins by John RuppertThese five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com |
 Pumpkins by John RuppertThese five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com |
 Pumpkins by John RuppertThese five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com |
 Pumpkins by John RuppertThese five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com |
 Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com |
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 Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com |
 Forth by Mary SchafferOn a slight hill. Surrounded by grass. Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com |
 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com |
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 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com |
 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com |
 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
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 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Two Face Telescope by Strong-CuevasSculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com |
 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
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 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
 Doubles by George SugarmanLarge work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com |
 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com |
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 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com |
 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com |
 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
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 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Sculpture near Nature's LaughOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
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 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Untitled (Steelroots) by Steve TobinLarge grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com |
 Teatro XI by Herk Van TongerenSurrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
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 Teatro XI by Herk Van TongerenSurrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
Arcs In Disorder by Bernar Venet
This is a large sculpture featuring 4 inverted arcs surrounded by grass.
Please see photos of the work here, here, here, and here.
More detailed photos of the work as it is at Grounds For Sculpture to come
Bernar Venet, Arcs in Disorder 4 Arcs x 5, 2002, Cor-Ten steel, 161 x 163.5 x 35.5 inches, each, Courtesy of the Bernar Venet Studio.
Three Indeterminite Lines by Bernar Venet
Please see photos of the work here, here, and here. Video of Mr. Venet speaking about the sculpture here (please note that the sculpture setting at Grounds for sculpture is to be found in the first photo link above).
More detailed photos of the work as it is at Grounds For Sculpture to come
Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio
 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
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 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
 The Bathers by Isaac WitkinSurrounded by grass. Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
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 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
 Eolith by Isaac WitkinThis tall sculpture sits on a hill with a moderate incline surrounded by grass. Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc. |
 Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
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 Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
 Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
 Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
Ode to a Possum by Isaac WitkinSculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin. |
 Bull 4 & Bull 5 by Peter WoytukGravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
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 Bull 4 & Bull 5 by Peter WoytukGravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Bull 4 & Bull 5 by Peter WoytukGravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. |
 Allentown Council by Glenn ZweygartOn concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com |
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 Allentown Council by Glenn ZweygartOn concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com |
 Allentown Council by Glenn ZweygartOn concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com |
Allentown Council & Seat of SoundOn concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com |
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