Sculpture Options for Site-Specific Proposals
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We strongly encourage you to go to Grounds For Sculpture to experience these works in person. Pictures do not do them justice. The sculpture's map number is listed so the work can be found easily in person. Please, please reach out to us when you make the trip out...we can be of great help, beforehand and during.
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Click on the main picture for each sculpture and use the arrows to view the rest of the set. Pictures and notes provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos. One of the sculptures options does not have photo gallery on our website at this time. Instead, links to photos are included. It is an incredible sculpture, be sure to check them out.
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You may have gentle physical contact with nearly all of the sculptures. If you have questions about how much you can engage, please ask.
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Admission fee to the park is waived for your rehearsal times there. Selected site-specific artists are expected to hold several rehearsals on site.
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Please contact us with any questions or concerns - contact@theoutletdanceproject.com.
***The following images are for the sole purpose of providing prospective Outlet Dance Project choreographers with visual references of the sculptures they may apply to create work in conversation with for the event taking place at Grounds For Sculpture on October 7, 2018. Any use of the images outside of that realm are strictly prohibited.***
all photos on this page by donia salem
 Folded Circle Ring: Fletcher BentonSurrounded by grass. Pavement not too far away on one side.
Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
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 Folded Circle Ring: Fletcher BentonSurrounded by grass. Pavement not too far away on one side.
Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
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 Folded Circle Ring: Fletcher BentonSurrounded by grass. Pavement not too far away on one side.
Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
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 Folded Circle Ring 2 Fletcher BentonSurrounded by grass. Pavement not too far away on one side.
Fletcher Benton, Folded Circle Ring, 1989, metal: steel, Cor-Ten, 140 x 140 x 96in, Grounds for Sculpture, Courtesy of Seward Johnson Atelier, Inc. www.fletcherbenton.com #325 on map. |
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 Lintel by Emilie BrzezinskiOn hill with steep-ish decline on one side.
Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com #218 on map |
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 Lintel by Emilie Brzezinski 3On hill with steep-ish decline on one side.
Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com #218 on map |
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 Lintel by Emilie BrzezinskiOn hill with steep-ish decline on one side.
Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com #218 on map. |
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 Damascus Gate by Walter DusenberyOn one side steps are 3.5'-4' wide x 5' long. Slight decline in steps. On other side steps are 2.5' wide. Shrubbery comes onto that path. Sculpture opening is app. 8' high and 4' wide. Ground is fine sandy gravel. Walter Dusenbery, Damascus Gate, 2002, stone: travertine, 240 x 176 x 51 in, Gift of The Seward Johnson Atelier, Inc. www.walterdusenbery.com. #302 on map. |
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 Damascus Gate by Walter DusenberyOn one side steps are 3.5'-4' wide x 5' long. Slight decline in steps. On other side steps are 2.5' wide. Shrubbery comes onto that path. Sculpture opening is app. 8' high and 4' wide. Ground is fine sandy gravel. Walter Dusenbery, Damascus Gate, 2002, stone: travertine, 240 x 176 x 51 in, Gift of The Seward Johnson Atelier, Inc. www.walterdusenbery.com. #302 on map. |
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 Damascus Gate by Walter DusenberyOn one side steps are 3.5'-4' wide x 5' long. Slight decline in steps. On other side steps are 2.5' wide. Shrubbery comes onto that path. Sculpture opening is app. 8' high and 4' wide. Ground is fine sandy gravel. Walter Dusenbery, Damascus Gate, 2002, stone: travertine, 240 x 176 x 51 in, Gift of The Seward Johnson Atelier, Inc. www.walterdusenbery.com. #302 on map. |
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 Damascus Gate by Walter DusenberyOn one side steps are 3.5'-4' wide x 5' long. Slight decline in steps. On other side steps are 2.5' wide. Shrubbery comes onto that path. Sculpture opening is app. 8' high and 4' wide. Ground is fine sandy gravel. Walter Dusenbery, Damascus Gate, 2002, stone: travertine, 240 x 176 x 51 in, Gift of The Seward Johnson Atelier, Inc. www.walterdusenbery.com. #302 on map. |
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 Damascus Gate by Walter DusenberyOn one side steps are 3.5'-4' wide x 5' long. Slight decline in steps. On other side steps are 2.5' wide. Shrubbery comes onto that path. Sculpture opening is app. 8' high and 4' wide. Ground is fine sandy gravel. Walter Dusenbery, Damascus Gate, 2002, stone: travertine, 240 x 176 x 51 in, Gift of The Seward Johnson Atelier, Inc. www.walterdusenbery.com. #302 on map. |
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 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure.
Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc.
https://kinfolk.com/marisol-escobar/ #318 on map |
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 General Bronze by Marisol Escobarpc: Sheena 2.0
On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure.
Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc.
https://kinfolk.com/marisol-escobar/ #318 on map |
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 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure.
Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc.
https://kinfolk.com/marisol-escobar/ #318 on map |
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 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure.
Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc.
https://kinfolk.com/marisol-escobar/ #318 on map |
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 General Bronze by Marisol Escobarpc: hannerola
On cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure.
Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc.
https://kinfolk.com/marisol-escobar/ #318 on map |
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 General Bronze by Marisol EscobarOn cement platform, surrounded by grass on all sides, in proximity of Witkin's The Bathers, and Harmony 3. Large sculpure.
Marisol Escobar, General Bronze, 1997, 102 in x 111 in x 57 in, Gift of The Seward Johnson Atelier, Inc.
https://kinfolk.com/marisol-escobar/ #318 on map |
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 Trio by Sarah HavilandSurrounded by grass. Relatively close to trees/shrubbery on one side. Near Sumo (different sculpture option included in our list). We are open to proposals involving both pieces. Sarah Haviland, Trio, 2002, bronze,108 x 91 x 76 in, Gift of The Seward Johnson Atelier, Inc. www.sarahhaviland.com #508 on map. |
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 Trio by Sarah HavilandSurrounded by grass. Relatively close to trees/shrubbery on one side. Near Sumo (different sculpture option included in our list). We are open to proposals involving both pieces. Sarah Haviland, Trio, 2002, bronze,108 x 91 x 76 in, Gift of The Seward Johnson Atelier, Inc. www.sarahhaviland.com #508 on map. |
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 Trio by Sarah HavilandSurrounded by grass. Relatively close to trees/shrubbery on one side. Near Sumo (different sculpture option included in our list). We are open to proposals involving both pieces. Sarah Haviland, Trio, 2002, bronze,108 x 91 x 76 in, Gift of The Seward Johnson Atelier, Inc. www.sarahhaviland.com #508 on map. |
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 Confrontational Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 Confrontational Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 View fr. Confrontation Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 Confrontational Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 Confrontational Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 Confrontational Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 Confrontational Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 Confrontational Vulnerabilityby Seward Johnson
Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Seward Johnson, Confrontational Vulnerability.
https://sewardjohnsonatelier.org/ #125 on map |
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 Has Anyone Seen Larry?by Seward Johnson
Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900).
Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum,
Collection of The Seward Johnson Atelier, Inc.
https://sewardjohnsonatelier.org/ #307 on map |
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 Has Anyone Seen Larry?by Seward Johnson
Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900).
Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum,
Collection of The Seward Johnson Atelier, Inc.
https://sewardjohnsonatelier.org/ #307 on map |
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 Has Anyone Seen Larry?by Seward Johnson
Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900).
Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum,
Collection of The Seward Johnson Atelier, Inc.
https://sewardjohnsonatelier.org/ #307 on map |
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 Has Anyone Seen Larry?by Seward Johnson
Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900).
Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum,
Collection of The Seward Johnson Atelier, Inc.
https://sewardjohnsonatelier.org/ #307 on map |
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 Has Anyone Seen Larry?by Seward Johnson
Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900).
Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum,
Collection of The Seward Johnson Atelier, Inc.
https://sewardjohnsonatelier.org/ #307 on map |
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 Has Anyone Seen Larry?by Seward Johnson
Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900).
Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum,
Collection of The Seward Johnson Atelier, Inc.
https://sewardjohnsonatelier.org/ #307 on map |
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 Has Anyone Seen Larry?by Seward Johnson
Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
This work was inspired by Odilon Redon's painting, 'The Three Fates' (1900).
Seward Johnson, Has Anyone Seen Larry?, 2011, bronze, aluminum,
Collection of The Seward Johnson Atelier, Inc.
https://sewardjohnsonatelier.org/ #307 on map |
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 God Bless America by Seward JohnsonSmall corn plot (to the right in the photo) will be full grow by October. Seward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com #708 on map |
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 God Bless America by Seward JohnsonSeward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com. #708 on map |
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 Harmony 3 by Daniel KainzWork is on a concrete base. Beyond the base are large areas of grass. Daniel Kainz, Harmony 3, 1993, marble, 68 x 106 x 78 in, Gift of The Seward Johnson Atelier, Inc. #313 on map. |
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 Harmony 3 by Daniel KainzWork is on a concrete base. Beyond the base are large areas of grass. Daniel Kainz, Harmony 3, 1993, marble, 68 x 106 x 78 in, Gift of The Seward Johnson Atelier, Inc. #313 on map. |
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 Harmony 3 by Daniel KainzWork is on a concrete base. Beyond the base are large areas of grass. Daniel Kainz, Harmony 3, 1993, marble, 68 x 106 x 78 in, Gift of The Seward Johnson Atelier, Inc. #313 on map. |
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 Harmony 3 by Daniel KainzWork is on a concrete base. Beyond the base are large areas of grass. Daniel Kainz, Harmony 3, 1993, marble, 68 x 106 x 78 in, Gift of The Seward Johnson Atelier, Inc. #313 on map. |
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 Memory by Masayuki KooridaSurrounded by fine gravel. Near concrete pathway and grass also. Third image gives an idea of scale.
Masayuki Koorida, Memory, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ #551 on map |
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 Memory by Masayuki KooridaSurrounded by fine gravel. Near concrete pathway and grass also. Third image gives an idea of scale.
Masayuki Koorida, Memory, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ #551 on map |
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 Memory by Masayuki KooridaSurrounded by fine gravel. Near concrete pathway and grass also. Third image gives an idea of scale.
Masayuki Koorida, Memory, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ #551 on map |
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 Memory by Masayuki KooridaSurrounded by fine gravel. Near concrete pathway and grass also. Third image gives an idea of scale.
Masayuki Koorida, Memory, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ #551 on map |
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 Memory by Masayuki KooridaSurrounded by fine gravel. Near concrete pathway and grass also. Third image gives an idea of scale.
Masayuki Koorida, Memory, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ #551 on map |
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 Memory by Masayuki KooridaSurrounded by fine gravel. Near concrete pathway and grass also. Third image gives an idea of scale.
Masayuki Koorida, Memory, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ #551 on map |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Nature by Masayuki KooridaLarge granite work on cement platform. Surrounded by grass, near concrete pathway. In proximity to Murray's sculpture Hillary (see photos 2-5).
Masayuki Koorida, Nature,granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #344 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Black Flower by Masayuki KooridaLarge granite work. Surrounded by fine gravel. Near concrete pathway and much grass.
Masayuki Koorida, Black Flower, 2009, granite, on loan to Grounds For Sculpture.
http://www.koorida.com/ Site #339 on map. |
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 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
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 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
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 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
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 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
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 Where is Geometry by Peter LundbergPatchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com #701 on map. |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com #201 on map. |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com #201 on map. |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com #201 on map. |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com #201 on map. |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com #201 on map. |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com #201 on map. |
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 The Couple by John MartiniSculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com #201 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Amorpheous, Kraken 2 & 3 by M.MenninThree sculptures surrounded by grass.
www.markmennin.com #748-750 on map. |
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 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
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 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
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 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
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 Cuckoo's Nest by Zoran MojsilovSurrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com #323 on map. |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Hillary by Robert MurrayOn cement platform, several evergreens to the back of the sculpture. Grass surrounds the sculpture. In relatively close proximity to Korrida's sculpture Nature.
Robert Murray, Hillary,
1993, aluminum, 68 in x 184 in x 256 in, Grounds For Sculpture, Gift of The Seward Johnson Atelier Inc. https://en.wikipedia.org/wiki/Robert_Murray_(artist) |
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 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Skyhook by John NewmanThe ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Skyhook by John Newman 2The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Skyhook by John Newman 4The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Skyhook by John Newman 5The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Skyhook by John Newman 6The ground around this large sculpture is grass (patchy in some areas). Shadow play. Trees on three sides. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com #503 on map. |
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 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist.
www.petersensculpture.com #540 on map. |
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 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist.
www.petersensculpture.com #540 on map. |
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 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist.
www.petersensculpture.com #540 on map. |
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 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist.
www.petersensculpture.com #540 on map. |
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 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist.
www.petersensculpture.com #540 on map. |
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 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist.
www.petersensculpture.com #540 on map. |
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 Beast by Karen PetersenMid-size gravel under body of sculpture. Surrounded by grass on all sides. Close to path and line of hedges. Karen Petersen, Beast, 2001, bronze, 87 x 102 x 41 in, courtesy of the artist.
www.petersensculpture.com #540 on map. |
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 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com #742 on map. |
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 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com |
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 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com #742 on map. |
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 Gossip by Martha PettigrewThere is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com #742 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 Space, Conquer or Die – SwiatowidLarge work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #114 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 The Oligarchs by Michelle PostSculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net #531 on map. |
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 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides.
E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc.
http://www.ecalderpowel.com/ #103 on map |
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 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides.
E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc.
http://www.ecalderpowel.com/ #103 on map |
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 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides.
E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc.
http://www.ecalderpowel.com/ #103 on map |
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 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides.
E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc.
http://www.ecalderpowel.com/ #103 on map |
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 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides.
E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc.
http://www.ecalderpowel.com/ #103 on map |
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 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides.
E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc.
http://www.ecalderpowel.com/ #103 on map |
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 Schatz's Spaceship by E.C. PowellVery large sculpture (4th picture shows scale). On large slightly raised platform. Trees to the back, grass on remaining 3 sides.
E. Calder Powel, Schatz's Spaceship (Inspired by the Oloid), 2010, aluminum, 165 5/8 in x 165 5/8 in x 243 5/8 in, Gift of The Seward Johnson Atelier, Inc.
http://www.ecalderpowel.com/ #103 on map |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Ghraib Bag by Michael ReesAnimated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Ghraib Bag, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com #812 on map. |
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 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
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 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
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 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
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 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
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 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
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 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
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 Harmonize by Barton Rubenstein16 ft. high kinetic sculpture that moves with the wind (video in link). Surrounded immediately by mulch and plants, beyond, grass on all sides. Barton Rubenstein, Harmonize, 2016, stainless steel, 16 x 3 x 3 feet, courtesy of the artist. www.rubensteinstudios.com #326 on map. |
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 Forth by Mary SchafferOn a slight hill. Surrounded by grass.
Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman.
www.maryshaffer.com #200 on map. |
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 Forth by Mary SchafferOn a slight hill. Surrounded by grass.
Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman.
www.maryshaffer.com #200 on map. |
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 Forth by Mary SchafferOn a slight hill. Surrounded by grass.
Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman.
www.maryshaffer.com |
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 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
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 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
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 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
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 Sumo by Ernest ShawSurrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com #507 on map. |
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 Arch II Set II by E.Strong-CuevasLarge sculpture on concrete base, surrounded by grass.
Elizabeth Strong-Cuevas, Arch II Set II, 1995, aluminum, 144 x 132 x 156 in
Gift of The Seward Johnson Atelier, Inc.
www.sc-sculpture.com #510 on map. |
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 Arch II Set II by E.Strong-CuevasLarge sculpture on concrete base, surrounded by grass. Photo by Fig Tree Photography, choreography Maureen Glennon, 2013.
Elizabeth Strong-Cuevas, Arch II Set II, 1995, aluminum, 144 x 132 x 156 in
Gift of The Seward Johnson Atelier, Inc.
www.sc-sculpture.com #510 on map. |
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 Arch II Set II by E.Strong-CuevasLarge sculpture on concrete base, surrounded by grass. Photo by Fig Tree Photography, choreography Maureen Glennon, 2013.
Elizabeth Strong-Cuevas, Arch II Set II, 1995, aluminum, 144 x 132 x 156 in
Gift of The Seward Johnson Atelier, Inc.
www.sc-sculpture.com #510 on map. |
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 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map. |
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 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map. |
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 Standing Vase W/Five Flowers - SurlsOn relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com #505 on map. |
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 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Nature's Laugh by Gunnar TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Nature's Laugh by Gunther TheelOn a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Sculpture near Nature's Laugh On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net #223 on map |
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 Teatro XI by Herk Van TongerenSurrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #335 on map. |
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 Teatro XI by Herk Van TongerenSurrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #335 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Three Indeterminate Lines by B.VenetSurrounded by grass and then a gravel circular path. We are unable to provide amplification here. Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio. www.bernarvenet.com #810 on map. |
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 Arcs in Disorder: 4 Arcs x 5by Bernar Venet. Large sculpture surrounded by grass.
Bernar Venet, Arcs in Disorder 4 Arcs x 5, 2002, Cor-Ten steel, 161 x 163.5 x 35.5 inches, each, Courtesy of the Bernar Venet Studio
www.bernarvenet.com #718 on map |
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 Arcs in Disorder: 4 Arcs x 5by Bernar Venet. Large sculpture surrounded by grass.
Bernar Venet, Arcs in Disorder 4 Arcs x 5, 2002, Cor-Ten steel, 161 x 163.5 x 35.5 inches, each, Courtesy of the Bernar Venet Studio
www.bernarvenet.com #718 on map |
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 Arcs in Disorder: 4 Arcs x 5by Bernar Venet. Large sculpture surrounded by grass.
Bernar Venet, Arcs in Disorder 4 Arcs x 5, 2002, Cor-Ten steel, 161 x 163.5 x 35.5 inches, each, Courtesy of the Bernar Venet Studio
www.bernarvenet.com #718 on map |
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 Arcs in Disorder: 4 Arcs x 5by Bernar Venet. Large sculpture surrounded by grass.
Bernar Venet, Arcs in Disorder 4 Arcs x 5, 2002, Cor-Ten steel, 161 x 163.5 x 35.5 inches, each, Courtesy of the Bernar Venet Studio
www.bernarvenet.com #718 on map |
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 Arcs in Disorder: 4 Arcs x 5by Bernar Venet. Large sculpture surrounded by grass.
Bernar Venet, Arcs in Disorder 4 Arcs x 5, 2002, Cor-Ten steel, 161 x 163.5 x 35.5 inches, each, Courtesy of the Bernar Venet Studio
www.bernarvenet.com #718 on map |
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 Resting Place by Roy WilsonSurrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
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 Resting Place by Roy Wilson 2Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
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 Resting Place by Roy Wilson 3Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
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 Resting Place by Roy Wilson 4Surrounded by ground cover (myrtle) and then grass. Easy to get around. Roy Wilson, Resting Place, 1990, metal: steel, 156 x 312 x 96 in, Gift of The Seward Johnson Atelier, Inc. #542 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 The Bathers by Isaac WitkinSurrounded by grass.
Isaac Witkin, The Bathers, 1991, bronze, 63 in x 107 in x 41 in, Gift of The Seward Johnson Atelier, Inc. #317 on map. |
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 Bull 4 & Bull 5 by Peter WoytukGravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #706 & 707 on map. |
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 Bull 4 & Bull 5 by Peter WoytukGravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #706 & 707 on map. |
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 Bull 4 & Bull 5 by Peter WoytukGravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. #706 & 707 on map. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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 oof by James CarlEast Gallery Installation.
James Carl, oof, 2018, cardboard, courtesy of the artist & TrepanierBaer Gallery. |
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