Sculpture Options for 2015 Site-Specific Proposals

 

**Our 2015 Call for Submissions is now closed.

Please check back in the Spring for our 2016 call. Or join our mailing list and we will write to you about it!**

 

  • We strongly encourage you to go to Grounds For Sculpture to experience these works in person. Pictures do not do them justice. Please reach out to us when you make the trip out. 

  • Click on the main picture for each sculpture and use the arrows to view the rest of the set. Pictures and notes provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos. 5 of the sculptures options do not have photo galleries on our website at this time. Instead, links to photos are included. 

  • In addition to descriptive details about the work, where possible, we have included artist websites addresses and an imbeded link to more information on the specific sculpture.

  • You can have gentle physical contact with nearly all of the sculptures. If you have questions about how much you can engage, please ask. 

  • Admission fee to the park is waived for your rehearsal times there. 

  • Please contact us with any questions or concerns

  • ***The following images are for the sole purpose of providing prospective Outlet Dance Project choreographers with visual references of the sculptures they may apply to create work in conversation with for the event taking place at Grounds For Sculpture on October 3, 2015. Any use of the images outside of that realm are strictly prohibited.***

all photos on this page by donia salem

First Love by Itzik Benshalom

First Love by Itzik Benshalom

Moderately sized area of grass in front of sculpture. Link below goes to a 2.5 minute video of the work from all angles. Itzik Benshalom, First Love, 2006, cast bronze, 204 x 60 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.itzik-benshalom.com

First Love by Itzik Benshalom

First Love by Itzik Benshalom

Moderately sized area of grass in front of sculpture. Link below goes to a 2.5 minute video of the work from all angles. Itzik Benshalom, First Love, 2006, cast bronze, 204 x 60 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.itzik-benshalom.com

First Love by Itzik Benshalom

First Love by Itzik Benshalom

Moderately sized area of grass in front of sculpture. Link below goes to a 2.5 minute video of the work from all angles. Itzik Benshalom, First Love, 2006, cast bronze, 204 x 60 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.itzik-benshalom.com

Lintel by Emilie Brzezinski

Lintel by Emilie Brzezinski

On hill with steep-ish decline on one side. Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com

Lintel by Emilie Brzezinski 3

Lintel by Emilie Brzezinski 3

On hill with steep-ish decline on one side. Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com

Lintel by Emilie Brzezinski

Lintel by Emilie Brzezinski

On hill with steep-ish decline on one side. Emilie Benes Brzezinski, Lintel, 1993, cast bronze, 128 x 117 x 28 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.thelureoftheforest.com

Seat of Sound by Cooke & Goode

Seat of Sound by Cooke & Goode

This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Seat of Sound by Cooke and Goode 2

Seat of Sound by Cooke and Goode 2

This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Seat of Sound by Cooke and Goode 3

Seat of Sound by Cooke and Goode 3

This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Seat of Sound & Allentown Council

Seat of Sound & Allentown Council

This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided). Robert Cooke and Daniel Goode, Seat of Sound, 2007, locust, aluminum, brass, stainless steel, 119 x 182 x 183 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Pinched by William Donnan

Pinched by William Donnan

Surrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com

Pinched by William Donnan

Pinched by William Donnan

Surrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com

Pinched by William Donnan

Pinched by William Donnan

Surrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com

Pinched by William Donnan

Pinched by William Donnan

Surrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com

Pinched by William Donnan

Pinched by William Donnan

Surrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com

Pinched by William Donnan

Pinched by William Donnan

Surrounded by patchy grass with path to one side. Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. William Donnan, Pinched, 1998, reinforced concrete, pigment, 136 x 96 x 168 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.donnansculpture.com

Ex-halations by Linda Fleming

Ex-halations by Linda Fleming

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com

Ex-halations by Linda Fleming 2

Ex-halations by Linda Fleming 2

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com

Ex-halations by Linda Fleming 3

Ex-halations by Linda Fleming 3

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com

Ex-halations by Linda Fleming 4

Ex-halations by Linda Fleming 4

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com

Ex-halations by Linda Fleming 5

Ex-halations by Linda Fleming 5

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. Linda Fleming, Ex-halations, 2005, steel, aluminum, 120 x 120 x 192 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.lindaflemingsculpture.com

Enki by Harry Gordon

Enki by Harry Gordon

Patchy grass on one side. Line of birch trees along same side. Harry Gordon, Enki, 2001, granite, 108 x 124 x 82 inches, Courtesy of the Artist. www.gordonsculpture.com

Enki by Harry Gordon

Enki by Harry Gordon

Patchy grass on one side. Line of birch trees along same side. Harry Gordon, Enki, 2001, granite, 108 x 124 x 82 inches, Courtesy of the Artist. www.gordonsculpture.com

Enki by Harry Gordon

Enki by Harry Gordon

Patchy grass on one side. Line of birch trees along same side. Harry Gordon, Enki, 2001, granite, 108 x 124 x 82 inches, Courtesy of the Artist. www.gordonsculpture.com

Matters of the Moment by Mike Gyampo

Matters of the Moment by Mike Gyampo

The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Matters of the Moment by Mike Gyampo

Matters of the Moment by Mike Gyampo

The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Matters of the Moment by Mike Gyampo

Matters of the Moment by Mike Gyampo

The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Matters of the Moment by Mike Gyampo

Matters of the Moment by Mike Gyampo

The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Matters of the Moment by Mike Gyampo

Matters of the Moment by Mike Gyampo

The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass. Mike Gyampo, Matters of the Moment, 2008, cast bronze, 96 x 101 x 66 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Awakening by Seward Johnson

Awakening by Seward Johnson

Only live music/sound, silence, or battery-powered amplification (you must supply). We cannot provide amplification from this location. About 70' long and stands 17' tall. Seward Johnson, Awakening, 2014. Cast aluminum 4/8. Courtesy of The Seward Johnson Atelier, Inc. C 1980 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

God Bless America by Seward Johnson

God Bless America by Seward Johnson

Small corn plot (to the right in the photo) will be full grow by October. Seward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

God Bless America by Seward Johnson

God Bless America by Seward Johnson

Seward Johnson, God Bless America, 2012, cast aluminum, 1/8, 168 x 108 x 70 inches, Courtesy of The Seward Johnson Atelier, Inc., © 2005, 2012 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

The Chamber of Internal Dialogue

The Chamber of Internal Dialogue

Areas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

The Chamber of Internal Dialogue

The Chamber of Internal Dialogue

Areas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

The Chamber of Internal Dialogue

The Chamber of Internal Dialogue

Areas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

The Chamber of Internal Dialogue

The Chamber of Internal Dialogue

Areas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

The Chamber of Internal Dialogue

The Chamber of Internal Dialogue

Areas directly in front of two bas-reliefs are mulch and dirt. Concrete path way in front can be danced on. Building can be entered (by performers). Seward Johnson, The Chamber of Internal Dialogue, 2011, cast bronze, mixed media, 258 x 114 x 135 inches, Courtesy of The Seward Johnson Atelier, Inc., ©2011 The Seward Johnson Atelier, Inc. www.sewardjohnson.com

Bones of the Forest by Robert Lobe

 

Hung on brick on the side of the building. Near the entrance to the West Gallery. Concrete paver pathway in front of sculpture.

 

Photo of the work (please note: this is not the current background of the work). Film discussing the series that this sculpture is a part of here

 

Robert Lobe, Bones of the Earth, 2006, heat-treated hammered aluminum. Courtesy of the artist. www.robertlobe.com

 

Additional photos of the work will be featured soon. 

Da Vinci's Knot by Robert Lobe

Da Vinci's Knot by Robert Lobe

Surrounded by large grassy area. Additional photos coming soon. www.robertlobe.com

Da Vinci's Knot by Robert Lobe

Da Vinci's Knot by Robert Lobe

Surrounded by large grassy area. Additional photos coming soon. www.robertlobe.com

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com

Where is Geometry by Peter Lundberg

Where is Geometry by Peter Lundberg

Patchy grass and dirt beyond this sculpture's concrete base. Peter Lundberg, Where is Geometry?, 1999, stainless steel, concrete, 168 x 144 x 144 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.peterlundberg.com

Passage by Kevin Lyles

Passage by Kevin Lyles

Wood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com

Passage by Kevin Lyles

Passage by Kevin Lyles

Wood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com

Passage by Kevin Lyles

Passage by Kevin Lyles

Wood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com

Passage by Kevin Lyles

Passage by Kevin Lyles

Wood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com

Passage by Kevin Lyles

Passage by Kevin Lyles

Wood-chip mulch, dirt, and patchy grass on the ground around this sculpture. Kevin Lyles, Passage, 1998, steel, river stone, 11 ft x 3 ft x 6 ft, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.kevinlyles.com

The Couple by John Martini

The Couple by John Martini

Sculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com

The Couple by John Martini

The Couple by John Martini

Sculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com

The Couple by John Martini

The Couple by John Martini

Sculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com

The Couple by John Martini

The Couple by John Martini

Sculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com

The Couple by John Martini

The Couple by John Martini

Sculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com

The Couple by John Martini

The Couple by John Martini

Sculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com

The Couple by John Martini

The Couple by John Martini

Sculpture in an opening in a wooded area. Ground is soft mulch and soil. Creek runs behind. John Martini, The Couple, 1999, steel, 92 x 67 x 12 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnmartini.com

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com

Cuckoo's Nest by Zoran Mojsilov

Cuckoo's Nest by Zoran Mojsilov

Surrounded by grass. Zoran Mojsilov, Cuckoo's Nest, 1998, stainless steel, Cold Spring Minnesota granite, boulders, 138 x 97 x 90 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.zoranmojsilov.com

Skyhook by John Newman

Skyhook by John Newman

The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com

Skyhook by John Newman 2

Skyhook by John Newman 2

The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com

Skyhook by John Newman 3

Skyhook by John Newman 3

The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com

Skyhook by John Newman 4

Skyhook by John Newman 4

The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com

Skyhook by John Newman 5

Skyhook by John Newman 5

The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com

Skyhook by John Newman 6

Skyhook by John Newman 6

The ground around this large sculpture is grass that is patchy in some areas. Shadow play. Surrounded on three sides by trees. John Newman, Skyhook, 1998, steel, stone, epoxy foam, epoxy resin, cable, wood, paint, 240 x 300 x 156 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnnewmanstudio.com

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

Split Ritual II by Beverly Pepper

Split Ritual II by Beverly Pepper

On a small hill with a gentle rise. Four pillars sit on concrete ring. There is grass in the center of that ring. Four ground level lights are installed along the edge of the center. Beverly Pepper, Split Ritual II, 1992, cast ductile iron, 2/3, 120 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.beverlypepper.net

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

High Spirit by Joel Perlman

High Spirit by Joel Perlman

On small hill with very mild incline. Some trees are around the sculpture. The work is quite tall. Joel Perlman, High Spirit, 1991,fabricated aluminum, 246 x 100 x 41 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

Southern Star by Joel Perlman

Southern Star by Joel Perlman

Sculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

Southern Star by Joel Perlman

Southern Star by Joel Perlman

Sculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

Southern Star by Joel Perlman

Southern Star by Joel Perlman

Sculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

Southern Star by Joel Perlman

Southern Star by Joel Perlman

Sculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

Southern Star by Joel Perlman

Southern Star by Joel Perlman

Sculpture is on a moderately steep incline with space for just a couple dancers, at most, to dance at the top. Concrete base surrounded by grass that is patchy in spots.Joel Perlman, Southern Star, 1989, welded steel, 122 x 60 x 40 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.joelperlman.com

Gossip by Martha Pettigrew

Gossip by Martha Pettigrew

There is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com

Gossip by Martha Pettigrew

Gossip by Martha Pettigrew

There is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com

Gossip by Martha Pettigrew

Gossip by Martha Pettigrew

There is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com

Gossip by Martha Pettigrew

Gossip by Martha Pettigrew

There is gravel on the ground in this area (see 4th photo). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture). Martha Pettigrew, Gossip, 2002, cast bronze, 98 x 85 x 62 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.marthapettigrew.com

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Space, Conquer or Die – Swiatowid

Space, Conquer or Die – Swiatowid

Large work that sits in the middle of a traffic circle near the entrance to the visitor center. Traffic will be held during the performance. Andrzej Pitynski, Space, Conquer or Die – Swiatowid, 2013, cast bronze, 432 x 161 x 159 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

The Oligarchs by Michelle Post

The Oligarchs by Michelle Post

Sculpture sits at the top of amphitheater. Grass center of amphitheater can become soggy if it has rained recently. Michelle Post, The Oligarchs,2014, cast aluminum, dimensions variable, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.michellepost.net

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Converge: Graib by Michael Rees

Converge: Graib by Michael Rees

Animated replica of the sculpture moving at www.thwack.tv. Good 43 second film to see. Michael Rees, Converge: Graib, 2008, fiberglass, concrete, 204 x 84 x 72 inches, Courtesy of the Artist. www.michaelrees.com

Pumpkins by John Ruppert

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com

Pumpkins by John Ruppert

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com

Pumpkins by John Ruppert

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com

Pumpkins by John Ruppert

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com

Pumpkins by John Ruppert

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees. John Ruppert, Pumpkins, 1999, cast aluminum, each component: 29 x 43 x 42 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.johnruppert.com

Forth by Mary Schaffer

 

On a slight hill. Surrounded by grass. 

 

Photos of the work. 

 

Mary Schaffer, Forth, 1994, stone, 132 in x 72 in x 72 in, Courtesy of The Sculpture Foundation, Inc., by exchange with Philip and Muriel Berman. www.maryshaffer.com

 

Additional photos of the sculpture will be featured here soon. 

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com

Sumo by Ernest Shaw

Sumo by Ernest Shaw

Surrounded by grass. Ernest Shaw, Sumo, 1994, Blue Mountain granite, 136 x 164 x 48 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.ernestshaw.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Two Face Telescope by Strong-Cuevas

Two Face Telescope by Strong-Cuevas

Sculpture sits on slightly raised base surrounded by grass. It may not be climbed or sat on. Elizabeth Strong-Cuevas, Two Face Telescope, 1990, aluminum, 168 x 144 x 72 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.sc-sculpture.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Doubles by George Sugarman

Doubles by George Sugarman

Large work on raised base at the confluence of 3 paths. Some patchy grass on ground, but largely fine gravel and dirt. George Sugarman, Doubles, 1984, painted aluminum, 108 x 192 x 108 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.georgesugarman.com

Standing Vase W/Five Flowers - Surls

Standing Vase W/Five Flowers - Surls

On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com

Standing Vase W/Five Flowers - Surls

Standing Vase W/Five Flowers - Surls

On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com

Standing Vase W/Five Flowers - Surls

Standing Vase W/Five Flowers - Surls

On relatively small hill. Sculpture sits on concrete base surrounded by grass on all sides. James Surls, Standing Vase with Five Flowers, 2011, bronze, stainless steel, 15 x 7 x 7 feet, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.jamessurls.com

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Nature's Laugh by Gunnar Theel

Nature's Laugh by Gunnar Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Nature's Laugh by Gunther Theel

Nature's Laugh by Gunther Theel

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Sculpture near Nature's Laugh

Sculpture near Nature's Laugh

On a slight circular mound about 12 feet across, surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival. Gunnar Theel, Nature's Laugh, 1992, copper, stainless steel, marine plywood, soil, grass, 87 3/4 x 72 1/2 x 62 7/8 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. www.gunnartheel.net

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Untitled (Steelroots) by Steve Tobin

Untitled (Steelroots) by Steve Tobin

Large grassy area surrounds sculpture. Steve Tobin, Untitled (Steelroots), 2007, painted steel, 16 ft x 13 ft x 24 ft, Courtesy of the Artist. www.stevetobin.com

Teatro XI by Herk Van Tongeren

Teatro XI by Herk Van Tongeren

Surrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Teatro XI by Herk Van Tongeren

Teatro XI by Herk Van Tongeren

Surrounded by grass. Herk Van Tongeren, Teatro XI, 1981, cast bronze, 1/3, 66 x 150 x 84 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Arcs In Disorder by Bernar Venet

 

This is a large sculpture featuring 4 inverted arcs surrounded by grass.

 

Please see photos of the work herehere, here, and here

 

More detailed photos of the work as it is at Grounds For Sculpture to come

 

Bernar Venet, Arcs in Disorder 4 Arcs x 5, 2002, Cor-Ten steel, 161 x 163.5 x 35.5 inches, each, Courtesy of the Bernar Venet Studio.

 

www.bernarvenet.com

Three Indeterminite Lines by Bernar Venet

 

Please see photos of the work here, here, and here. Video of Mr. Venet speaking about the sculpture here (please note that the sculpture setting at Grounds for sculpture is to be found in the first photo link above). 

 

More detailed photos of the work as it is at Grounds For Sculpture to come

 

Bernar Venet, Three Indeterminate Lines, 2005, rolled steel, 98.875 x 99.625 x 116.125 inches, Courtesy of the Bernar Venet Studio

 

www.bernarvenet.com

Eolith by Isaac Witkin

 

This tall sculpture sits on a hill with a moderate incline surrounded by grass.

 

Please see photos of the work here, here, and here (giving you a sense of scale, although the location is different than in the photo).

 

Additional photos of the work will be featured here soon. 

 

Isaac Witkin, Eolith, 1994, stone, 168 in x 96 in x 48 in, Courtesy of The Sculpture Foundation, Inc.

 

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Ode to a Possum by Isaac Witkin

Ode to a Possum by Isaac Witkin

Sculpture is low to the ground. Ground directly around the work is covered with small pebbles. Grass surrounds that area. Isaac Witkin, Ode to a Possum, 1999, bronze, 29 x 79 x 55 inches, Courtesy of Nadine Witkin.

Bull 4 & Bull 5 by Peter Woytuk

Bull 4 & Bull 5 by Peter Woytuk

Gravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Bull 4 & Bull 5 by Peter Woytuk

Bull 4 & Bull 5 by Peter Woytuk

Gravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Bull 4 & Bull 5 by Peter Woytuk

Bull 4 & Bull 5 by Peter Woytuk

Gravel immediately around sculptures, then expansive grass area. Tall grass near by as well. Peter Woytuk, Bull #4, 2002, cast bronze, 1/8, 82 x 60 x 160 inches, and Bull #5, 2002, cast bronze, 1/8, 62 1/2 x 75 x 145 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc.

Allentown Council by Glenn Zweygart

Allentown Council by Glenn Zweygart

On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com

Allentown Council by Glenn Zweygart

Allentown Council by Glenn Zweygart

On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com

Allentown Council by Glenn Zweygart

Allentown Council by Glenn Zweygart

On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com

Allentown Council & Seat of Sound

Allentown Council & Seat of Sound

On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference). Glenn Zweygardt, Allentown Council, 1993-1994, Fox Hill granite, steel, bronze, 150 x 96 x 96 inches, Grounds For Sculpture, Gift of The Seward Johnson Atelier, Inc. by Exchange with Philip and Muriel Berman. www.glennzweygardt.com

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