Sculpture Options 2014

Sculpture Options for 2014 Site-Specific Proposals

Thank you for your interest in being a part of The Outlet Dance Project. Our 2014 Call for Submissions period is closed. The call for submissions for next year's festival will be put out in the Spring of 2015. Please note: sculpture options change almost completely from year to year.
We strongly encourage you to go to Grounds For Sculpture to experience these works in person. Pictures do not do them justice. Please reach out to us when you make the trip out.
These pictures and notes are meant to provide a better idea of what the piece is like, including factors you may want/need to consider in formulating proposals. Notes can be accessed by either rolling over or clicking on the photos (which also allows you to see the complete pic in a larger size).
You can have gentle physical contact with all of the sculptures. If you have questions about how much you can engage, please ask.
Admission fee to the park is waived for your rehearsal times there.
Please contact us with any questions or concerns

photos on this page by donia salem

Seat of Sound by Cooke & Goode This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided there).
Seat of Sound 2 Robert Cooke and Daniel Goode.JPG
Seat of Sound 3 Robert Cooke and Daniel Goode.JPG
Seat of Sound & Allentown Council.JPG

Pegasus & Bellerophon by Larry Young Surrounded by grass
Pegasus & Bellerophon by Larry Young Surrounded by grass
Pegasus & Bellerophon by Larry Young Surrounded by grass
Pegasus & Bellerophon by Larry Young Surrounded by grass
Pegasus & Bellerophon by Larry Young Surrounded by grass
Pegasus & Bellerophon by Larry Young Surrounded by grass

Confrontational Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.
Confrontational Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it (please note that the audience will not be able to see a lot of movement behind). The path leading to and around the sculpture is a find gravel/sand.
View fr. Confrontation Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it (please note that the audience will not be able to see a lot of movement behind). The path leading to and around the sculpture is a find gravel/sand.
Confrontational Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it (please note that the audience will not be able to see a lot of movement behind). The path leading to and around the sculpture is a find gravel/sand.
Confrontational Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it (please note that the audience will not be able to see a lot of movement behind). The path leading to and around the sculpture is a find gravel/sand.
Confrontational Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it (please note that the audience will not be able to see a lot of movement behind). The path leading to and around the sculpture is a find gravel/sand.
Confrontational Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it (please note that the audience will not be able to see a lot of movement behind). The path leading to and around the sculpture is a find gravel/sand.
Confrontational Vulnerability by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it (please note that the audience will not be able to see a lot of movement behind). The path leading to and around the sculpture is a find gravel/sand.

Skyhook by John Newman The ground around this large sculpture is largely patchy grass. Shadow play. Surrounded on three sides by trees.
Skyhook by John Newman The ground around this large sculpture is largely patchy grass. Shadow play. Surrounded on three sides by trees.
Skyhook by John Newman The ground around this large sculpture is largely patchy grass. Shadow play. Surrounded on three sides by trees.

Nature's Laugh by Gunther Theel On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.
Nature's Laugh by Gunther Theel On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.
Nature's Laugh by Gunther Theel On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.
Nature's Laugh by Gunther Theel On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.
Sculpture near Nature's Laugh On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.

Pinched by William Donnan Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.
Pinched by William Donnan Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.
Pinched by William Donnan Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.
Pinched by William Donnan Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.

Hillary & Guardian Angel by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.
Hillary & Guardian Angel by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.
Hillary & Guardian Angel by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.
Hillary by Robert Murray These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.
Hillary by Robert Murray These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.
Guardian Angel by Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.
Guardian Angel by Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.
Hillary & Guardian Angel by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Pumpkins by John Ruppert These five large metal pumpkins are situated in a grouping of small-medium sized trees.
Pumpkins by John Ruppert These five large metal pumpkins are situated in a grouping of small-medium sized trees.
Pumpkins by John Ruppert These five large metal pumpkins are situated in a grouping of small-medium sized trees.
Pumpkins by John Ruppert These five large metal pumpkins are situated in a grouping of small-medium sized trees.
Pumpkins by John Ruppert These five large metal pumpkins are situated in a grouping of small-medium sized trees.

Matters of the Moment by Mike Gyampo The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass.
Matters of the Moment by Mike Gyampo The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass.
Matters of the Moment 2 Mike Gyampo.JPG The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass.
Matters of the Moment 5 Mike Gyampo.JPG The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass.
Matters of the Moment 4 Mike Gyampo.JPG The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass.

Lintel by Emilie Brzezinski On hill with steep-ish decline on one side.
Lintel by Emilie Brzezinski On hill with steep-ish decline on one side.
Lintel by Emilie Brzezinski On hill with steep-ish decline on one side.

Passage by Kevin Lyles Wood-chip mulch, dirt, and patchy grass on the ground around this sculpture.
Passage by Kevin Lyles Wood-chip mulch, dirt, and patchy grass on the ground around this sculpture.

High Spirit by Joel Perlman On slight grass incline. Some trees are around it. Quite tall.
High Spirit by Joel Perlman On slight grass incline. Some trees are around it. Quite tall.
High Spirit by Joel Perlman On slight grass incline. Some trees are around it. Quite tall.

Harmony 3 by Daniel Kainz Work is on a concrete base. Beyond the base are large areas of grass.
Harmony 3 by Daniel Kainz Work is on a concrete base. Beyond the base are large areas of grass.
Harmony 3 by Daniel Kainz Work is on a concrete base. Beyond the base are large areas of grass.
Harmony 3 by Daniel Kainz Work is on a concrete base. Beyond the base are large areas of grass.

Water Droplets Describe your image here
Budding Tree Describe your image here
Fallen Apples Describe your image here
Cherry Blossom Describe your image here
Ray of Light Describe your image here
Bloom Describe your image here
Dew Describe your image here
Tranquil forest Describe your image here
Lilly Pond Describe your image here

Water Droplets Describe your image here
Budding Tree Describe your image here
Fallen Apples Describe your image here
Cherry Blossom Describe your image here
Ray of Light Describe your image here
Bloom Describe your image here
Dew Describe your image here
Tranquil forest Describe your image here
Lilly Pond Describe your image here

Water Droplets Describe your image here
Budding Tree Describe your image here
Fallen Apples Describe your image here
Cherry Blossom Describe your image here
Ray of Light Describe your image here
Bloom Describe your image here
Dew Describe your image here
Tranquil forest Describe your image here
Lilly Pond Describe your image here

Gossip by Martha Pettigrew There is gravel on the ground in this area (see 4th picture for visual reference). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture for reference).
Gossip by Martha Pettigrew There is gravel on the ground in this area (see 4th picture for visual reference). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture for reference).
Gossip by Martha Pettigrew There is gravel on the ground in this area (see 4th picture for visual reference). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture for reference).
Gossip by Martha Pettigrew There is gravel on the ground in this area (see 4th picture for visual reference). Sculpture is bronze and approximately 8' x 7' x 5'. There is a sculpture with a water element nearby (see 2nd picture for reference).

Enki by Harry Gordon Surrounded by patchy grass and mulch. Line of birch trees along one side.
Enki by Harry Gordon Surrounded by patchy grass and mulch. Line of birch trees along one side.
Enki by Harry Gordon Surrounded by patchy grass and mulch. Line of birch trees along one side.

Folded Circle Ring - Fletcher Benton Surrounded by grass. Pavement not too far away on one side.
Folded Circle Ring - Fletcher Benton Surrounded by grass. Pavement not too far away on one side.

Double Check by S. Johnson Seeking proposals for work that can go through the entire event (extended, looping, or several pieces). This entrance area is where every single person coming to the park will pass by. 30'x7'. Read amazing info about piece in 4th pic.
Double Check by Seward Johnson
Double Check by Seward Johnson
Double Check Info

Damascus Gate by Walter Dusenbery On one side (see first picture) steps are 3.5'-4' wide x 5' long. Slight decline in steps. On other side (pic. 2, 4, 5) steps are 2.5' wide. Shrubbery comes onto that path. Sculpture opening is app. 8' high and 4' wide. Ground is fine sandy gravel.
Damascus Gate by Walter Dusenbery
Damascus Gate by Walter Dusenbery
Damascus Gate by Walter Dusenbery
Damascus Gate by Walter Dusenbery

Cuckoo's Nest by Zoran Mojsilov Surrounded by grass.
Cuckoo's Nest by Zoran Mojsilov Surrounded by grass.
Cuckoo's Nest by Zoran Mojsilov Surrounded by grass.
Cuckoo's Nest by Zoran Mojsilov Surrounded by grass.

Bull 4 & Bull 5 by Peter Woytuk Gravel immediately around sculptures, then expansive grass area. Tall grass near by as well.
Bull 4 & Bull 5 by Peter Woytuk Gravel immediately around sculptures, then expansive grass area. Tall grass near by as well.
Bull 4 & Bull 5 by Peter Woytuk Gravel immediately around sculptures, then expansive grass area. Tall grass near by as well.

Arcs in Disorder by Bernar Venet Large sculpture surrounded by grass.
Arcs in Disorder by Bernar Venet Large sculpture surrounded by grass.
Arcs in Disorder by Bernar Venet Large sculpture surrounded by grass.
Arcs in Disorder by Bernar Venet Large sculpture surrounded by grass.
Arcs in Disorder by Bernar Venet Large sculpture surrounded by grass.

Allentown Council by Glenn Zweygart On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference).
Allentown Council by Glenn Zweygart On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference).
Allentown Council by Glenn Zweygart On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference).
Allentown Council & Seat of Sound On concrete base, then surrounded by grass. Near Seat of Sound sculpture (see last picture for reference).

Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.
Space of Stone by M. Abakanowicz Only live music/sound or silence here. No amplification available in this location. Medium-large sized gravel on the ground here (see last picture for reference). Audience will be along the perimeter of the area.

Standing Vase W/Five Flowers - Surls On small hill. Grass space is available on either all sides.
Standing Vase W/Five Flowers - Surls On small hill. Grass space is available on either all sides.
Standing Vase W/Five Flowers - Surls On small hill. Grass space is available on either all sides.

Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's small concrete base.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's small concrete base.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's small concrete base.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's small concrete base.
Where is Geometry by Peter Lundberg Patchy grass and dirt beyond this sculpture's small concrete base.

Unconditional Surrender by S.Johnson Enormous Sculpture. Beyond the large raise base is a great deal of grass.
Unconditional Surrender by S.Johnson Enormous Sculpture. Beyond the large raise base is a great deal of grass.

Trio by Sarah Haviland Surrounded by grass. Relatively close to trees/shrubbery on one side. Near Sumo (different sculpture option included in our list). We are open to proposals involving both pieces.
Trio by Sarah Haviland Surrounded by grass. Relatively close to trees/shrubbery on one side. Near Sumo (different sculpture option included in our list). We are open to proposals involving both pieces.
Trio by Sarah Haviland Surrounded by grass. Relatively close to trees/shrubbery on one side. Near Sumo (different sculpture option included in our list). We are open to proposals involving both pieces.

Has Anyone Seen Larry? by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
Has Anyone Seen Larry? by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
Has Anyone Seen Larry? by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
Has Anyone Seen Larry? by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
Has Anyone Seen Larry? by Seward Johnson
Has Anyone Seen Larry? by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).
Has Anyone Seen Larry? by Seward Johnson Triangular space for movement around sculpture. Fine gravel on the ground. There is a smaller triangle marked by slightly raised metal closer to the work itself (see last picture for reference).

The Couple by John Martini Wood chip mulch on the ground.
The Couple by John Martini Wood chip mulch on the ground.
The Couple by John Martini Wood chip mulch on the ground.
The Couple by John Martini Wood chip mulch on the ground.

The Chamber of Internal Dialogue Areas directly in front of two bas-reliefs is mulch and dirt. Concrete path way in front can be danced on. House can be entered (by performers).
The Chamber of Internal Dialogue Areas directly in front of two bas-reliefs is mulch and dirt. Concrete path way in front can be danced on. House can be entered (by performers).
The Chamber of Internal Dialogue Areas directly in front of two bas-reliefs is mulch and dirt. Concrete path way in front can be danced on. House can be entered (by performers).
The Chamber of Internal Dialogue Areas directly in front of two bas-reliefs is mulch and dirt. Concrete path way in front can be danced on. House can be entered (by performers).
The Chamber of Internal Dialogue Areas directly in front of two bas-reliefs is mulch and dirt. Concrete path way in front can be danced on. House can be entered (by performers).

Teatro XI by Herk Van Tongeren Surrounded by grass.
Teatro XI by Herk Van Tongeren Surrounded by grass.

Taking Stock by Seward Johnson The wood fence is between 16-20 feet across.
Taking Stock by Seward Johnson The wood fence is between 16-20 feet across.
Taking Stock by Seward Johnson The wood fence is between 16-20 feet across.
Taking Stock by Seward Johnson The wood fence is between 16-20 feet across.

Sumo by Ernest Shaw Surrounded by grass. Near Trio (another sculpture option listed). We are open to proposals involving both pieces.
Sumo by Ernest Shaw Surrounded by grass. Near Trio (another sculpture option listed). We are open to proposals involving both pieces.
Sumo by Ernest Shaw Surrounded by grass. Near Trio (another sculpture option listed). We are open to proposals involving both pieces.
Sumo by Ernest Shaw Surrounded by grass. Near Trio (another sculpture option listed). We are open to proposals involving both pieces.

Aluna by Robert Ressler Sculpture surrounded by grass. Path on one side.
Aluna by Robert Ressler Sculpture surrounded by grass. Path on one side.
Aluna by Robert Ressler Sculpture surrounded by grass. Path on one side.

Sculpture Options for 2014 Site-Specific Proposals

Seat of Sound by Cooke & Goode

This sculpture can be touched, played, and portions can be climbed on. All of the elements can be struck with mallets (provided there).

Seat of Sound 2 Robert Cooke and Daniel Goode.JPG

Seat of Sound 3 Robert Cooke and Daniel Goode.JPG

Seat of Sound & Allentown Council.JPG

Pegasus & Bellerophon by Larry Young

Surrounded by grass

Pegasus & Bellerophon by Larry Young

Surrounded by grass

Pegasus & Bellerophon by Larry Young

Surrounded by grass

Pegasus & Bellerophon by Larry Young

Surrounded by grass

Pegasus & Bellerophon by Larry Young

Surrounded by grass

Pegasus & Bellerophon by Larry Young

Surrounded by grass

Confrontational Vulnerability

by Seward Johnson Audience will be viewing work performed at this sculpture from below (please see third picture). There is approximately 10'x23' of space in front of the sculpture and at least 12'x23' behind it. The path leading to and around the sculpture is a find gravel/sand.

Confrontational Vulnerability

View fr. Confrontation Vulnerability

Confrontational Vulnerability

Confrontational Vulnerability

Confrontational Vulnerability

Confrontational Vulnerability

Confrontational Vulnerability

Skyhook by John Newman

The ground around this large sculpture is largely patchy grass. Shadow play. Surrounded on three sides by trees.

Skyhook by John Newman

The ground around this large sculpture is largely patchy grass. Shadow play. Surrounded on three sides by trees.

Skyhook by John Newman

The ground around this large sculpture is largely patchy grass. Shadow play. Surrounded on three sides by trees.

Nature's Laugh by Gunther Theel

On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.

Nature's Laugh by Gunther Theel

On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.

Nature's Laugh by Gunther Theel

On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.

Nature's Laugh by Gunther Theel

On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.

Sculpture near Nature's Laugh

On a slight circular mound that is approximately 12 feet across, this work is surrounded by grass. Sculpture of man nearby may or may not be there at the time of the festival.

Pinched by William Donnan

Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.

Pinched by William Donnan

Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.

Pinched by William Donnan

Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.

Pinched by William Donnan

Pinched is made of reinforced concrete and stands 11' x 8' x 14'. It is surrounded by grass.

Hillary & Guardian Angel

by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Hillary & Guardian Angel

by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Hillary & Guardian Angel

by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Hillary by Robert Murray

These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Hillary by Robert Murray

These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Guardian Angel by Edwina Sandys

These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Guardian Angel by Edwina Sandys

These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Hillary & Guardian Angel

by Robert Murray & Edwina Sandys These pieces are near one another so proposals can be made for the two together or for either one individually. Both sit on concrete and are surrounded by grass. Sculpted hill on one side.

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees.

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees.

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees.

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees.

Pumpkins by John Ruppert

These five large metal pumpkins are situated in a grouping of small-medium sized trees.

Matters of the Moment by Mike Gyampo

The small rectangular area immediately around the sculpture is comprised of large round stones. Otherwise, surrounded by grass.

Matters of the Moment by Mike Gyampo